Thursday, June 13, 2024

Columbia Diggins 2024

The Columbia "Diggins" event takes place at Columbia State Historic Park and is meant to reproduce a typical 1850's tent town as would have been found in the area during the California Gold Rush. It's an exceptionally well planned, funded and organized event with dozens of volunteers.


Photo By Ewa Kuc (www.maytheartbewithyou.com)

This was our third year attending and, as in previous years, we brought my period Telegraph, Tintype Portrait Studio, and of course, the Magic Lantern. Shannon and Brandon operated the Tintype booth and sold Tintype portraits to those that were interested.

Photo By Ewa Kuc (www.maytheartbewithyou.com)

Photo By Ewa Kuc (www.maytheartbewithyou.com)

We ended up doing about two dozen tintypes during the event. Here are a few examples.
Image by Splendid Tintypes

Image by Splendid Tintypes

Image by Splendid Tintypes

Image by Splendid Tintypes

Image by Splendid Tintypes


Matt operated the Telegraph and performed the Magic Lantern shows. We had both venues next to each other so he could easily get between them.

Photo By Ewa Kuc (www.maytheartbewithyou.com)

There was consistent public traffic and entertainment outside the venue. Here was a staged bar fight that the public, and The Lanternist, enjoyed watching.

Photo By Ewa Kuc (www.maytheartbewithyou.com)

For the Magic Lantern shows, we were set up in the only room that can be darkened - a reproduction 1800's style building. We did 6-8 shows per day.

Photo By Ewa Kuc (www.maytheartbewithyou.com)

Photo By Ewa Kuc (www.maytheartbewithyou.com)


As our shows are all performed with period slides, it's important to bring along some tools and supplies to repair slides in the field. Matt usually will carry along a small wood "slide repair" box with tools - glue for fixing wood frames, small nails for holding glass in place, Teflon tape for slip slides that lose their cardboard spacers, and most importantly - Lineco Gummed Linen Hinging Tape. The Lineco "moisten to stick" tape is great for repairing slide edges, emergency fixes for broken glass, and pull tabs on slip slides.

This photo caught me sitting at the Telegraph repairing my "Good Night" slide with the Lineco tape sitting against my box of slide repair tools.
 
Photo By Ewa Kuc (www.maytheartbewithyou.com)

Photo Collage By Jeffery Luhn luhnphoto.com


Overall this was a really fun four day event and we look forward to doing it again next year!


Photo By Ewa Kuc (www.maytheartbewithyou.com)



Saturday, April 6, 2024

Little House On The Prairie 50 Year Cast Reunion

We attended the Little House On The Prairie 50th Anniversary Cast Reunion in Simi Valley with our Tintype Portrait Studio, Telegraph, and Magic Lantern.  This was the busiest event we have ever done.  We had Emily on the camera,  Brandon and I worked the two darkrooms, and Shannon wrangled the crowd.  Sarah worked the varnishing station.  We also had a helper to work the candle dipping station. 



Working the event

In general, we try to to do about 4 tintypes per hour.  If I'm working alone, this would be moving quite fast.  It takes about 4 minutes to create the plate, a couple minutes to take the photo and develop it, then about 15-20 minutes to dry and varnish the plate.  It's probably 45 minutes to an hour end to end, but since a few can be drying at once 4 per hour is doable, especially if you have a separate person to help with darkroom.   We were open from 10-4 for three days at this event so I expected we'd do 40-50 tintypes overall. We ended up doing over 100!










With the high volume, we had to adjust quite a bit along the way.  The first day was overwhelming,  we had already done 25 tintypes and we had turned many people away. We could tell we were going to be busy and going faster, requires more people so we had the whole family involved. We broke the work into 4 different roles.

  • Wrangling the crowd - Greeting people, making appointments, 
  • Darkroom - Sensitizing and developing plates up to the Fixer.
  • Camera - Posing people and taking the actual photos (the quickest part)
  • Varnishing - Rinsing, Drying, and Varnishing.

Wrangling the crowd.



We started out with taking appointments at our regular "4 per hour" cadence.  We quickly found that this wasn't going to work as all the slots were filled within a couple hours.  We also found that people were not showing up for their appointments and we were turning away crowds of people that had come to the booth.  Appointments were not going to be reasonable for this kind of volume. 

We ended up doing what we called "restaurant style"  Folks came up, put their name on the list, and we took them "first come first served".  Folks could see where they were on the list and see the rate they were moving.  We took names and phone numbers of all the customers so we could call them if they walked away.  This worked quite well and we were able to do over 100 portraits!!



Darkroom

Besides drying, the part of the wet plate process that takes the longest is sensitizing the plate.  The silver bath can only have one plate in it and it needs to be in there for three minutes.  Loading the plate in the carrier takes full time attention from the person in the darkroom so it totally consumes the darkroom and eats up about 5 minutes total per plate.  Going faster means two darkrooms so we had both of our darkrooms going. 





Brandon mostly worked the darkroom and did the majority of the development. 








Camera

Actually taking the photo is the quickest part of the process.  Emily worked the camera. We took photos in the shade and used some local trees as the background. 





Varnishing

This was the first event where we had to make a dedicated varnishing station.  Varnishing in the rain or in high humidity is very challenging.  The high humidity can cause a textured, bubbly varnish and the only solution I have found to prevent this is to get the plates very hot before applying the varnish.   To heat the plate, we used a large cast iron skillet.  We put a can of Sterno on one side so there was a hot side and a "cool" side of the skillet.  This worked amazingly well so we'll probably duplicate this setup at future events. 

Sarah was in charge of varnishing.  She'd take the plate from the rinse water, dry and heat it on the hot skillet, and then varnish.  


We went through multiple bottles of ShellacVarnish.  Shellac is our go-to varnish since it's easy to use and is the most historic, but I keep a bottle of Sanderac in reserve and had to break that out. 

Telegraph

We also had the telegraph at this event. It was quite popular with the kids. 


Candle Dipping

When we have someone to staff it, we bring our candle dipping setup.  It's popular with both kids and adults.  We heat up colored wax and folks can dip a candle to make whatever colors they like. 






Magic Lantern

Matt brought the Magic Lantern and set it up in the Cozy TV tent.  Most of the time it was showing episodes of the show.  Though, they took a half hour break so we could sneak in a show.  Here was the setup. 

The Storm!

We ended up needing to end early.  A thunderstorm rolled in. Tents and tables started to blow over and it was no longer safe to be outside.  In the end, it was a great event. 

Results

We had a great event with lots of happy customers. It was quite challenging working at the fast pace.  Adding all the gusts of wind and rain really added to the challenge, but it was overall a successful event. 





Hope folks enjoyed hearing about the event!





Saturday, December 18, 2021

Miner's Christmas In Columbia Ca

We were able to bring our Magic Lantern Shows,  Wet Plate Photography, and Telegraph to  Columbia State Historic Park  for the "Miner's Christmas" event. 

Here was our performance area.  They said we were the first group to ever use the new building.  Matt operated the lantern,  Brandon made Tintypes, and we hoodwinked Shannon's dad  into keeping an eye on the telegraph.  We had about 600 visitors and Matt was performing non-stop. We didn't have time to take out our cameras for photos but took a couple when the crowds were gone.  

Matt  built the tripod from scratch for use with his  whole plate camera.  (The one below the screen). Though it also worked quite well for the lantern. The trunk holding the lanterns is one we use to carry our equipment.  The one on the right is a custom camera case we  built for as well.  It served well as a bench for kids to sit on to watch the show. 



The screen is just a simple piece of canvas nailed to the wall. All the windows had shutters so we could close them to keep the screen reasonably dark. 



We set the Telegraph up outside the building to draw folks into the room. We didn't have a table so we just clamped it to the rails.   The setup was a little bit odd but it did a great job attracting folks to the venue. Kids always love playing with the telegraph. "How do you backspace?"








We also set up the Tintype studio and Darkroom inside the building.  Guests got to experience a little bit of ether smell with their magic lantern show, but it made a nice opportunity to demonstrate multiple technologies at once.  Getting to operate the tintype booth inside is a great luxury. No more dust, pine needles, and wind interfering. 





Overall, it was a great event.  Keeping all three demonstrations running for the public can be challenging, but we got a lot of positive feedback from the crowd and look forward to doing it again. 


Happy Holidays to everyone from the Schnittker Family!!!